The assessment movement in higher education is now more than
25 year’s old. It has challenged us to
think about what we do as professors, and has broken through many (not all, by
any means) ideological battles to allow different kinds of institutions to
thrive. It has required us to state the “learning outcomes,” what we want
students to know, to learn, in a class, program (or major), and at a
university.
One of those that I add to my courses particularly to my
lower division, GE courses is to “think historically:” “To learn the practices
of critical historians, including how to appropriate historical sources for
understanding, and to test historical claims and conclusions” as I phrase it on
one syllabus.
The political arguments in our broader cultural, political,
and churchly arenas are carried out often as historical arguments. “We have always been” this or that, compared
to someone or something else. “It developed out of…” “We should go back to…” or
“We must achieve” x or y as successful societies have. “It is the arc of history,” the “way of the
future;” “anyone who knows our history, can see…” Of course, these are often false assertions.
Behind what we are doing in teaching the history of
civilizations, for example, is providing examples, patterns, cases so that
students are not taken in by false comparisons and can “test historical claims
and conclusions.” Here are some of the
broader characteristics of thinking historically I hope students begin to
absorb in my classes.
Complexity:
history is complex. Historical events involve unique personalities, are set in
concrete environments each one a little or greatly different from the last,
embedded in cultures that are different from neighboring ones, and rely on the
judgements of historical actors with limited knowledge, conflicting passions,
and differing judgments of the importance of contributing forces and possible
outcomes. Monocausal explanations are almost always wrong. If a student will let
the complex elements of an historical episode develop in their understanding,
and sort through them with patience, they will almost always come to a deeper
understanding than if they choose a simple and single cause as an explanation.
It requires mental and emotional discipline. I suppose that is why we call
subject areas disciplines.
Cultural Continuity:
cultures are different from each other and embedded deeply in habits, minds and
traditions. They are deeper than ideas or institutions. They shape the way we
act within institutions, what institutions are deemed permissible and
important, what ideas mean, which kinds are important, which we should listen
to and which ignore. A Chinese Confucian will think very differently form a
Muslim theologian/lawyer, and both differently than a Christian Bishop in the
middle ages, or a rationalist philosopher in the early modern world. They will
each develop different institutions and find themselves willing to act in
certain ways and unwilling in others. Cultures continue on and change slowly. They
are an example of the “longue durée,” those
long-standing, slowly altering structures of history French historians have
emphasized. We must understand them to make sense of current events. When we
think everyone thinks and acts as we do, we will be shocked by differences, and
misunderstand the actions and thoughts of others. Religion is at the heart of
culture. A historical sense that leaves it out, misses energy that drives
people and cultures.
Contingency:
sometimes odd, chance, strange things happen. We must be ready for them. A unique personality comes onto the scene. A
new people is encountered, a continent that was not anticipated is found, a new
use for an old element discovered. Epidemic disease or famine or an unforeseen
war changes the context for any response or action. Climate changes—it has in
the past, is now changing, and will in the future. Old problems die away, and
new ones arise people could not anticipate. Stuff happens. Our most learned
predictions can turn drastically wrong. Politicians and leaders of institutions
face this regularly. To understand how to act and why something has developed
the way it did, we must be ready for the strange and unanticipated. Historical
understanding is not scientific. No one knows the scientific laws of historical
development because they do not exist.
Chronology:
things happen in sequence. Programs that started out in moderate ways, may
become extreme, or vice versa. Institutions develop and decay. Certain ideas
are not encountered in particular times and arise in others. And we must get
the chronology right. My students are shocked to learn that the modern world is
the age of Absolute, Divine Right Kingship, and the Middle Ages the time of the
development of parliaments and representative governments, and that some of the
ideas that go with them (representation, consent, etc.) developed in
theological arguments about the nature of the church and its governance, not first
in the arguments of secular thinkers of the modern age. Wasn’t the Middle Ages
the time of abusive nobility? No, kings then were bound by law. Get the
chronology wrong and history becomes a frustration or a soothing myth.
Comparison,
Comparativity (is that a word?): we must use comparison to understand
history. What happened in the American Revolution, the French Revolution, Latin
American Revolutions, the Communist Revolutions of the 20th century,
in the Arab Spring of the 21st century? When we can compare them, with all their
complexity and contingency, their cultural continuities, we will gain a firm
understanding about the nature, possibilities, and dangers of revolutions. We might also question why revolution is seen
as such a positive event in our age. Or
we might begin to recognize the nature of true achievements and false
achievements. Medieval Europe and Ancient and Medieval China were the only two
pre-modern societies that developed technological cultures. When we compare them,
we gain profound knowledge about technology and society, a knowledge we cannot
gain without the comparison.
Creativity: we
meet extraordinary creativity regularly in history. It can be astounding. Great
thinkers, political actors, saints, the unknown artisan and builder of an
ancient road or medieval cathedral live in every period and place. Their
creative works, thoughts, writing and lives inspire. We meet selfless saints,
heroic common people, inventive geniuses, tireless workers, inspiring artists. We
also meet the creatively manipulative leader or conqueror, the person driven to
command and exonerate evil. They all remind us that everything cannot be systematized,
categorized, and controlled. We might be inspired ourselves to look for
brilliant possibilities. We find them in every time a place. Where do we find
great novelists and story-tellers? In
Africa, North America, South America, Europe, China, Japan, India—I don’t mean
to leave anyone out, but the list must conclude at some point.
I had hoped to keep it to five but ended up with six.
“Creativity” creatively emerged in the process. I suppose that is not too many.
If students are sometimes overwhelmed, I tell them, it is time to sit back,
look at the big picture, make some comparisons, recognize that confusing,
contingent things happen, and enjoy the complexity, chart the chronology, and
look for the cultural continuity. Enjoy the ride--history is one attempt to
make sense out of life. It is preparation for working in businesses, being
members of churches and families, and citizens of cities, nations, and the
world.